Northern Indian music (Volume one) Theory and technique
| dc.contributor.author | Danielou, Alain | |
| dc.date.accessioned | 2017-09-06T09:12:16Z | |
| dc.date.available | 2017-09-06T09:12:16Z | |
| dc.date.issued | 2017 | |
| dc.document.department | Central Library | en_US |
| dc.document.placeofpublication | London | en_US |
| dc.document.publisher | Christopher Johnson | en_US |
| dc.document.subjectcode | PC 781.0954 DAN. I | en_US |
| dc.document.yearofpublication | 1949 | en_US |
| dc.identifier.uri | https://dspace.nehu.ac.in/handle/1/14180 | |
| dc.journal.pagerange | 163 | en_US |
| dc.language.iso | en | en_US |
| dc.publisher | Visva Bharati (1949) | en_US |
| dc.subject | The theory | en_US |
| dc.subject | The nature of sound | en_US |
| dc.subject | The scale | en_US |
| dc.subject | Technique: Notation | en_US |
| dc.subject | Rhythm | en_US |
| dc.subject | Melodic development | en_US |
| dc.subject | The definition of the Ragas: The Ragas | en_US |
| dc.subject | Definition of the Ragas | en_US |
| dc.submitter.address | North-Eastern Hill University Shillong 793022, India | en_US |
| dc.title | Northern Indian music (Volume one) Theory and technique | en_US |
| dc.type | Book | en_US |