Samadarsana (Synthetic vision) A study in Indian psychology

dc.contributor.authorCousins, James H.
dc.date.accessioned2017-05-25T06:02:07Z
dc.date.available2017-05-25T06:02:07Z
dc.date.issued2016
dc.identifier.urihttps://dspace.nehu.ac.in/handle/1/13021
dc.language.isoenen_US
dc.publisherGanesh & Co (1925)en_US
dc.subjectThe tendency of renascent movements to express a dominant psychological attitude as seen in Europe, Japan, Ireland and Indiaen_US
dc.subjectSamadarsana (same-sightedness or synthetic vision) the dominant psychological attitude of India and its general influence in cultural expressionen_US
dc.subjectSamadarsana in modern Indian poetry- Rami Reddi (Hindu), Iqbal (Musulman), Puran Singh (Sikh)en_US
dc.subjectSamadarsana in art, as exemplified in the works of Promode K. Chatterjee, with some remarks on hypocrisy and sectarianism in arten_US
dc.subjectSamadarsana in human affairs, as set forth by Rabindranath Tagoreen_US
dc.subjectSamadarsana in religion and philosophy, according to T. L. Vaswanien_US
dc.subjectSamadarsana in education, as expounded by Aurobindo Ghoseen_US
dc.titleSamadarsana (Synthetic vision) A study in Indian psychologyen_US
dc.typeBooken_US
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